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That's a pretty short window from theatrical to DVD, too. Less than eight weeks.
P.S. Michael just got his 1000th MySpace friend.
That's in just over 5 months. Most of that came in the last 2 months after he was cast in Twilight.
Only $15.36 at DeepDiscount with free shipping:
Here are several other sites:
In many markets, First Look is giving away run-of-engagement passes.
New York area residents can enter to win through The Village Voice.
Wow, you're quick! ![]()
I was just coming back to edit it and include the original press release. ![]()
Remember the Daze put out a press release on PRNewswire. It got picked up in many places, including Yahoo News, Yahoo Finance, Hollywood Gossip, Celebrity News, Elite TV, Comtex, and FOX Business. It mentions Chris and Sean.
Well, eventually, we hope. They are aggressively pursuing a theatrical deal right now, hence the sudden string of festival appearances. Ideally a distributor will see them at MethodFest or Philly etc. and want to acquire it.
I've seen the film and I can tell you hat it has a LOT more commercial potential than Daze. Nothing against Daze, of course. ![]()
I'm fairly certain Luke will be there. Assuming nothing else gets in the way, I should be going and will report back as usual. This was one film I definitely want to see again. It was one of my favorites of the year and, even though Chris only has one scene, it's THE pivotal one in the movie.
Here is the Philadelphia schedule:
Saturday, April 12 « 9:30 PM
Prince Music Theater
$10
Sunday, April 13 « 2:30 PM
Ritz East Theater 2
$8
It's actually about a 20 minute drive from me.
There will be a Hollywood Premiere on April 8 at the Egyptian Theater. :applause:
By the way, the same day Michael's Day of the Dead comes out on DVD and the first of his four episodes of The Riches airs on FX.
Just spreadin' the love ![]()
I put the film's MySpace on my Top Friends, as did Michael. It would be great if enough people got out to see this film that it created a bit of a cult following.
I am surprised that the poster features Doug. He does have a big role but not much more than some of the other guys. I think Aaron's part is about as big. As is Sean's.
You never did answer my question about whether the long, crazy improved story Chris told in one of the party scenes stayed in the movie. Did it?
I could have sworn I did. Where did you ask that? It's not in this thread. I think I answered it wherever you asked it.
I probably shouldn't say anymore about who liked it or not without betraying peoples' confidences.
Anyway, I never said I didn't like it. I just said it would be best watching it on a Friday night partying with friends and I didn't expect it to do well in theaters.
The Air I Breathe was one of my favorite films of the last two years, yet I didn't think it would do well in theaters. And I was right. So just because I don't expect it to do well doesn't mean I didn't like it. Some of my favorite films have not done well in theaters and I didn't expect them to.
============
EDIT: Yup, I did:
http://imdb.com/title/tt0790618/board/n … 1#97129787
I'm sure we'll love it, Larry. We have a bunch of favorites in it. And we're all dying to see Chris and Sean play brothers. I have a hard time believing that I will be disappoited.
So did I, Deb, so did I.
I have a bunch of favorites in it as well. In fact, there are five actors in the film whose work I admire. Three of those I've met. I haven't met the other two but have corresponded with one pretty regularly. Of the three I have met, one I've seen on several occasions and partied with. Another is one of my best friends. In fact, we watched the film together sitting on the same couch.
Very few films I've seen have had so many actors in it who I've met and/or consider friends. I had a hard time believing I'd be disappointed too.
I didn't want to say this over on the film's IMDb board but I agree that one should not expect to the TMFKATBO anywhere outside those initial cities. The movie leaves a lot to be desired. The DVD will be fun to watch on a Friday night partying with friends.
I updated my blog with the latest updates on Michael's eight new films and his TV series:
When it rains it pours.
For Mike, that's Day of the Dead on DVD April 8, Remember the Daze in theaters April 18, Mandy Lane in theaters May 9, and Daze on DVD June 3. Plus An American Crime sometime beween April an June, most likely, on Showtime. :silly:
Oh, not to mention four episodes of The Riches on FX in April and May.
Larry, you're a fangirl
:rofl: "bats eyes seductively"
That was not my point at all. I don't want it to be a recollection piece; I don't want it to be narrated. I think it is set in 1999 though, right? It's just a stupid title. But I guess I'm not getting it across so never mind. Mercury is retrograde, communications are difficult right now. I give up.
Please don't take it that way, Deb. I was just trying to respond to this:
If it's told in real time then there is no "remembering" of any "daze" going on within the context of the story
So I thought you were saying the title would be better if there was "remembering of daze going on within the context of the story."
The only way I could see there being "remembering of daze going on within the context of the story" would be if there was someone telling the story in flashback.
How would you have "remembering of daze going on within the context of the story?" What would you do to accomplish that?
I'm seriously trying to understand, Deb, not get into a debate. The suggestions you give me will be passed on to the filmmakers. I'm honestly not trying to argue with you. I'm trying to see if I can get them to achieve what you're suggesting.
It doesn't have to be within the context of the story. It's not necessarily "I remember the days..." It could be "do you remember the days?" Or just an instruction: "Remember the days."
Not all films that are period pieces or are based on things that happened in someone's life (remembrances) need to be told from a first person point of view. In fact, films which begin with voiceover and are narrated that way have become such a cliche. I see so may films that use this device that I've grown to hate it. I saw six films in a row at the last festival that I went to which began with voiceover. It's so overused that I think it's become a crutch. A creative filmmaker shouldn't need to do that to tell a story. I actually prefer that the filmmaker just tell the story through images and dialogue rather than through the eyes and voiceover of someone who is supposedly looking back on their life.
A film called "Remember the Alamo" doesn't have to mean that someone has to be telling the story from a first person point of view. It just has to tell the story of what happened there. A film called "Remember the 60s" can just be about the Vietnam War or The Beatles or whatever. There doesn't have to be someone telling the story from their own point of view. So I don't see why "Remember the Daze" has to be about someone telling the story in their own words. That would make more sense if it was "I Remember the Daze."
There's really no way to avoid having people make their own references based on what they've seen. In fact, that's what the title is supposed to do -- evoke memories of someone's own experiences. What you think of when you hear the name is obviously not what I think of, or Mary Jane, or Lou Smith, or whomever. Every title will have negative connotations for some people. Maybe 9 out of 10 think of their high school partying "daze." I assume that's what they are hoping, anyway.
When I hear the title I think it will be a look back at my partying years. And I guess that's why they picked it.
It's told in real time. There is no one person -- it's an ensemble piece. Think of a reality show that follows a bunch of kids around on the last 24 hours of high school. That's basically what it is.
It's actually the memories of the woman who wrote and directed it but you don't know that watching the film.
Don't flame me, but...having seen the film I can tell you that the title was baffling to those of us who saw it. It really doesn't say anything about the movie and certainly doesn't give anyone any idea of what it's about. And that is, ultimately, death for any film.
While the new title may be a ripoff (or an homage, however you want to look at it) of Dazed and Confused, the fact is that really is what the film is most like. Frankly, it is much better at indicating what the movie is about and is much more likely to get people to want to see it, and isn't that what we want?
I hate to disagree with you guys, as we are all on the same side here, but I can honestly tell you that this title is much better, in my opinion. Please think about it and give it a chance to sink in. Everyone I know who saw the film was scratching their heads over the old title and prayed that they would change it. I'm happy. :applause:
Okay, thanks. I'd CC'd her as well. I'll look into it. It's the distribution news the guy posted which is more puzzling than the name change. But I'll update my posts and sites to reflect the new name.
Sorry guys, things got crazy yesterday real fast. :witsend:
Here is the short version of what happened.
I first announced it here on IMDb:
http://imdb.com/title/tt1099212/board/thread/97385864
Of course, within hours that thread had over 50 posts, someone had sent it to Twilight Lexicon, they posted it, it got hundreds of replies there, other people saw it there and came back to "announce" it on IMDb (in the same board where my post already was lol) and within a few hours there were hundreds of posts and dozens of threads on the Twilight board all "announcing" what had been posted hours before. It was crazy.
Meanwhile, it started getting picked up by other sites either from my original post or the others, with a sort of full circle thing going on where people would say "it's on this site so must be true" even though that site was only quoting another one. It was kind of funny, actually. It started appearing on other Twilight sites and people's LiveJournals, all basically using the others as sources. After awhile most people never noticed the original post and just referenced sites which referenced sites which got it from there earlier in the day. Sort of like a game of telephone where nobody knew where it came from but they knew it was out there.
A few hours after I announced it on IMDb, I wrote this article:
http://www.pronetworks.org/forum/story101293.html
I also C&P'd it and sent it out as a bulletin on my MySpace (the one you quoted above). That started getting spread around as well.
That post has over 1300 hits after one day, by the way. ![]()
By the end of the day it had been sent all over, posted on Wikipedia, etc. and started showing up at so many sites and boards with so many threads and replies that I couldn't keep track anymore.
Unfortunately, I can't. I'm at work.
IMDb PM?