Chris Marquette Message Board

I don't blame you one bit. I would say the same thing to Chris' face, or to anyone else associated with the film. There are films with which I've had connections, maybe not as close as yours, but closer than most people know, which went (or are going) through similar machinations. In many cases I've been skeptical and even bitter but publicly still tried to be optimistic. You see, no matter what a studio or distributor does to muck up a film or its release I will do everything I can (if I feel it deserves it) to get people to go. I will do the same with Fanboys because, even though I haven't seen it, I believe in many of the people associated with it, including you folks.

I wouldn't throw in the towel just yet. That's a normal platform opening. in fact, it's a pretty good one. Hundreds of films a year begin their runs that way, expanding depending on how well they do.

Most of the films I follow begin with limited distribution. 50 is actually a lot.

Heck, Juno played 7 theaters the first week it opened and only went to 40 theaters the 2nd week. It eventually made it to 2,534 theaters and took in $230 million worldwide.

Not sure if this was posted.

I've been told 50 locations in select markets.

ROFL

Sorry, just had to laugh. BTW I saw Zack & Miri at Toronto and it's fantastic. Not at all what I expected. Certainly the name alone will increase BO which will increase eyes on the trailer.

Hey everyone.

Choose Connor opens today in Los Angeles and Irvine, California. In addition to Chris, the film stars Steven Weber, Alex Linz, Escher Holloway, John Rubinstein, Erick Avari, April Grace, Don McManus, Diane Delano, Rosalee Mayeux and Richard Reihle among others. Luke Eberl wrote and directed the film. Michael also was involved -- he has a small cameo and is thanked twice in the credits. You may see more of him on the DVD extras .

Here's when and where it's playing:

Los Angeles
Laemmle's SUNSET 5
8000 Sunset Blvd.
West Hollywood, CA 90046
www.laemmle.com
Showtimes: 1:30, 4:15, 7:00, 9:40
Luke will be doing a Q&A after the 7:00 screening tonight (Friday) and
the 7:00 screening tomorrow (Saturday) at the Sunset 5
STRICTLY LIMITED ENGAGEMENT, WILL ONLY PLAY UNTIL THURSDAY, OCTOBER 23RD

Irvine
Edwards' WESTPARK 8
3755 Alton Parkway
Irvine, CA 92606
www.edwardscinemas.com
Showtimes: 12:50, 3:30, 7:10, 10:00
Luke will be doing a Q&A after the 3:30 screening tomorrow (Saturday) at
the Westpark 8.

You can view the trailer here:

http://www.apple.com/trailers/independent/chooseconnor/

You can also find more info about the movie/cast/crew here:

www.chooseconnor.com

"Choose Connor" won the Jury Award for Best American Independent at
the 2008 Philadelphia Film Festival, and has screened in competition
at numerous other festivals, including the CineVegas, Rome, Woodstock, Outfest,
Omaha, Byron Bay, New Filmmakers, Method Fest and Newport Beach Film
Festivals.  It was named one of the the best undistributed films of
2007 by the New York Press.

In addition, here is some positive notice the film has received:

"Luke Eberl's "Choose Connor" is a real stunner, an unusual
coming-of-age story that packs a wallop in unexpected ways. It is all
the more remarkable because writer-director-editor and co-producer
Eberl was only 20 when he made it.

Eberl has both a dryly cynical grasp of how the world of politics can
work and a gift for complex characterization coupled with an ability
to draw from actors spot-on portrayals of much range and depth. He can
suddenly unleash a jolting fear yet not let his film lapse into a
standard suspense thriller; he is skilled at the visual as well as the
verbal, a filmmaker of formidable powers of persuasion.

After a prologue that is daringly disturbing, Eberl cuts to a
middle-school graduation where U.S. Senate candidate Lawrence Connor
(Steven Weber) gives a speech and presents 15-year-old Owen (Alex
Linz) with an award -- and ends up recruiting the admiring Owen as the
spokesman for his youth campaign. Owen is a brainy but innocent
idealist bedazzled by a glib politician who sees himself heroically
walking a tightrope between high principle and necessary compromise.

That Owen learns politics can be a dirty business -- and hidden within
that world much darker secrets -- is not all that shocking, but what
makes "Choose Connor" so special and unsettling is the consistent
adroitness and perfect timing with which Eberl makes his revelations.
As equally impressive as Weber in the role of Connor is Escher
Holloway as his troubled adopted nephew, a talented artist of dark
visions."
      --The Los Angeles Times

"Draws you in by creeping you out ... What makes the journey
compelling is the relaxed chemistry between the young actors and an
insistently apprehensive tone that pervades even the most prosaic
exchanges ... The filmmaker's choices - long, easy takes instead of
jumpy camerawork, spare background music instead of a mood-pop
soundtrack - smoothly evoke a world of backslapping cronyism. Here
business and politics share more than financial interests, and
idealism and innocence rarely go unpunished."
      -- The New York Times

"Strong thesping and solid mise-en-scene."
      -- Variety

"A Brilliantly devised political thriller."
      -- Movie Maker Magazine

"For politics what "Wall Street" did for capitalism. It shows us with
subtlety and finesse how the people in power, blinded by the
spotlight, begin to lose sight of the people they're supposed to
serve."
      -- Las Vegas Weekly

"This excellent independent film exposes the corrupt politicians that
support American capitalism, and simultaneously rails at the
white-collar Americans who support them ... This film compares
favorably with much bigger pictures with similar themes, such as Tony
Gilroy's Michael Clayton, starring George Clooney."
      -- Political Affairs Magazine

"The performances and the writing were in perfect synch and created a
provocative and timely (and timeless) examination of politics."
      -- Trevor Groth, Sundance Film Festival Senior Programmer

"There is nothing more thrilling than seeing a young director ascend
to the ranks of the majors. Twenty-one year old Luke Eberl, the
writer/director of CHOOSE CONNOR has successfully launched himself as
a serious filmmaker.  Writer/director Luke Eberl makes some extremely
wise choices, fleshing out the demons while blanketing them with so
much outward respectability that they may never be exposed. Owen
Norris, as the spokesman for youth becomes a suburban celebrity. His
likeness is on posters; he's in television ads. His parents feel the
afterglow of their son's new found recognition. Owen does his job so
well that the campaign starts to swing in Connor's direction. By the
end of the film he has opened Pandora's box. The storyline is both
original and unnerving.  Steven Weber, a fine actor who is always
remembered for his starring role on "Wings", rises to the political
heights, making Larry Connor both charming and menacing. In the scenes
where he allows us to glimpse his weaknesses, his loneliness, his
inability to genuinely connect with his constituents, he almost makes
us feel sorry for him. Escher Holloway as Caleb has the right amount
of sexual intensity, innocence lost, and friendship found."
      --- Jetsetters Magazine

"Choose Connor is Alex Linz's first real chance to show the world what
he has as an actor, and Linz nails his role... Eberl's voice could
become a vital new one for cinema... he is definitely a name to keep
an eye on."
      --The Film Lot

"It's really pretty startling that a work of such insight and maturity
was written and directed by Luke Eberl who isn't even 21 years old.
"Choose Connor" has much going on both on the surface and under and
Eberl's a confident director who allows both areas to grow and breathe
on their own. I can't quite put my finger on it, but there's an
overall feeling of creepiness to the whole film. As things play out on
screen, they do become downright creepy, but way before that there's a
sense that at any minute, the phony congressman Connor could snap…or
fall apart. I was impressed with the tone of the entire film and Eberl
deserves kudos for that.  Excellent directing coupled with a smart
script and solid acting make "Choose Connor" a movie worth your time."
      ---Film Threat

"Eberl's smart, concise script and steady direction are propped up by
a slew of star-making performances, most notably Linz and Holloway.
Linz is the perfect nerd with ambition, a kind of mini-Bill Gates of
the political world, shouldering the burden of being a kid at the
center of an adult film about an adult world with an almost eerie
ease. Holloway is nothing short of a revelation, conveying the twisted
innards of a disturbed individual with an adroit sense of timing. He
doesn't lose his cool so much as he loses his cool facade and replaces
it with one just enough above room temperature to make him sweat. It's
this bottled-up boil that makes Choose Connor so compelling -- it's as
controlled as a nuclear test site."
      -- Las Vegas City Life

"A level of insight that rivals the great political drama writing of
TV's "The West Wing" and Robert Altman's Secret Honor. This is a
slow-burn political thriller of great complexity that not only rings
true to life but also packs one hell of a surprising punch."
            -- Michael Lerman, Philadelphia Film Festival

Please see my article for more:

http://www.pronetworks.org/forum/story104017.html

Michael's film The Thacker Case will have its World Premiere at the Hollywood Film Festival at 9 PM on Friday, October 24 at the Arclight Cinemas.

http://hollywoodawards.com/finalists/films2008.html

Nope. The person you are tagging gets a "New Tagged Photos!" alert under Updates, then they have to click "Add" or "Don't Add" before it shows up. After they "Add" it, it will then show up.

I can't get in either. :angry:

Nice to see them coming to my hometown (Philly). Would have been even nicer if they considered Michael to be a cast member.

I'm with you on the difficulty reading. I have trouble concentrating and my eyes glaze over. Even long newspaper or magazine articles are a challenge for me.

In a way, though, there is an upside to it -- when someone has read the book they invariably compare the movie with what what they've read. Then the film has to meet or exceed their expectations based on the book. I've noticed that most of the time when I see a movie based on a book, most people who read the book are quite negative while the people who didn't read the book are much more positive in general.

That's a generalization of course, and there are exceptions. But I've found that to be the case most of the time.

The Thacker Case will be screening at the St. Louis International Film Festival on Friday, November 21 at 7:15pm at the Tivoli Theatre.