#951 Re: Square Eyes » Guess the film/tv series by screencap » 11 Jun 08 :: 21:59

Monty Python and the Holy Grail is the one 2 above this.


I really like "Brave Sir Robin" song.

#952 Re: Square Eyes » Guess the film/tv series by screencap » 11 Jun 08 :: 21:58

You're right, never would have gotten Sweet November.

19918154.jpg

#954 Re: Square Eyes » Guess the film/tv series by screencap » 11 Jun 08 :: 21:03

All I see is the URL, which if it's The Matrix, gives it away.

#955 Re: Square Eyes » Guess the film/tv series by screencap » 11 Jun 08 :: 20:50

Yes, It's Remo Williams.


Here is a real easy one.

52969e43.jpg

#956 Re: Square Eyes » Guess the film/tv series by screencap » 11 Jun 08 :: 19:40

Here is Kate Mulgrew from the film.

3f6591d3.jpg


Plus the one that will likely give it away.

0fd69913.jpg

#957 Re: Chris On Screen » Remember The Daze (formerly The Beautiful Ordinary) » 11 Jun 08 :: 17:54

I don't know if you guys read this interview or not. I didn't see it posted in this topic.

If it's been posted, then NM.

From http://www.411mania.com/movies/columns/ … e-Daze.htm

411's Tony Farinella sits down with Chris Marquette for an exclusive interview!

Chris Marquette is one of Hollywood's brightest young actors. In his career, he has worked on such films as Alpha Dog, The Girl Next Door, The Invisible, Freddy Vs. Jason, Just Friends, and a whole lot more. Recently, he worked alongside his brother Sean in the film, Remember the Daze, which hits DVD on June 3rd. The film offers a glimpse into the teenage wasteland of suburbia 1999 that takes place over 24-hours, and the teenagers who make their way through the last day of high school in the last year of the past millennium. In my interview with Chris Marquette, we talked about Remember the Daze, high school, acting, Hollywood, and a whole lot more. I hope you enjoy my interview with Chris Marquette.


TONY: When you first read your character in the script, what were your first impressions of him?

Chris Marquette: This part came about in a much different way than it usually does. My little brother Sean, who is in the movie and plays my little brother in the movie, actually was filming what was called at the time, The Beautiful Ordinary. So he was filming that movie, and he gives me a call one night at around eleven o'clock, and he's like, "Hey, I'm sitting around with the cast and the director of this thing, and we were talking, and I was wondering are you gonna be working in a couple weeks?" And I was like, "Nah, not yet. I got about a month before I start working." And he said, "OK. In two weeks, would you come down and maybe play this character in this movie?" And I was like, "Yeah, are you kidding me?" So I had no idea what the movie was about or what character I'd be playing. Any opportunity I have to work with my brother, I just jump at the chance at it, so I just kind of blindly walked into the project and showed up on set about a week later. And the director and I just kind of came up with the character on the spot, actually, and I improvised pretty much all of it, and my brother and I kind of riffed and tried to make some jazz music out of these scenes. So that's how it came about. Originally, when I got there, the director kind of said, "Hey, listen, I've got these couple ideas for this character. Originally, it was supposed to be something completely different than you and much older than you, so what are your thoughts?" And she let me go wild, and that was about it. Felix was born.

TONY: I thought your character was very similar to Matthew McConaughey in Dazed and Confused. Did you use anybody as inspiration for this character?

Chris Marquette: Yeah. I based this character off a really close friend of mine, who is another actor who I really look up to and admire, named Ben Foster. The idea, originally, was for this guy to be like a Matthew McConaughey, but Matthew McConaughey is like really buff and good looking and can get all the girls, and in Dazed and Confused, he's a bit creepy. And I, obviously, am the opposite. I'm not the big supermodel-looking guy, so the idea was I'm a lot more creepy and a lot more off-putting, and I think whenever I talked to somebody, I just tried to put them as off-balance as possible. Matthew McConaughey in Dazed and Confused is really slick and really cool, so I tried to play the opposite of that: A guy who is socially awkward rather than socially charming.

TONY: As an actor, what's it like working on a film with a bunch of actors around your own age? Do you have a certain comfort level with them?

Chris Marquette: A lot of other people in that movie were close, close friends of mine way before the movie: Aaron Himelstein, Michael Welch, Lyndsy Fonseca. And some of those people have become close friends of mine since after that: Melonie Diaz and John Robinson and Dough Smith. It almost feels like we didn't shoot a movie. The thing about actors is they're constantly performing in their lives and playing different characters. I go out with my friends, and somehow we end up on some random tangent pretending to be a bunch of wacky people that we aren't just for fun. So it felt just like that. It was like, "Hey, you're going to show up to set," but, really, it felt like somebody called for a house party. And we're like, "Cool! We'll be there in an hour." I've worked with a whole cast of adults and young kids, where I'm the only young person there, and then working on a film like that, where it's all people my age and all my peers is definitely a different experience. And most of the time, it's much more comfortable, actually, and it was much more comfortable because I knew the people.

TONY: Remember the Daze is an interesting film, because it tackles the high school experience in a very unique way. What was your high school experience like?

Chris Marquette: Oh, mine was terrible. Mine was awful. I've moved around a lot in my life, so I moved into Burbank and went to Burbank High School, and I moved into Burbank right before high school, so I didn't know anybody. And the thing about high school is it's all about people finding themselves, and you really find yourselves through other people and through your comparison and reflecting on everybody else around you. And I didn't know anybody. So I spent the majority of my time in high school alone. It was a really big high school with thousands of kids, so I would walk from one end of the high school slowly eating my food to the other end so that I would just take enough time, which was a half hour of lunch, to get to the other end where my class was at, and I would pace myself because I didn't have anybody to hang out with. So I eventually made some good friends and they were cool and I could relate to them in different ways, but I still had a lot of solitude in high school, unfortunately, but, fortunately, because I was happy in my experience too.

TONY: I read that you went to some dance with Christy Carlson Romano. Is that true?

Chris Marquette: I think I had gone to a random high school dance of another friend of mine not with her as my date, but just in a group of people that she was there with. I've known her since I was about eight or nine, because we were both musical theater actors at one point in our lives when we were kids, so we had know each other through that. A random friend of mine called me and said, "Hey, I'm going to this dance at some school. Would you like to come?" And I was like, "Yeah, yeah," and then she happened to be there. I think that's the way it went.

TONY: What's it like having brothers in the acting business? I'm sure it's easy to relate to them and talk about similar problems or similar situations in Hollywood.

Chris Marquette: Yeah, it really is. It's all about relating, and it's really amazing. There's some things within the perspective of being an actor and trying to make it in Hollywood, and everybody goes through the same struggles and the same ups and downs and the same confusion. So it's nice to have a brother that when I call up talking about something that would seem, to most people, really confusing and abstract, I guess, he can definitely relate. And all of my good friends are actors, because those are my people. So having my brother as being one of them really has saved my life a billion times. It's nice.

TONY: In your career, you have worked on a number of unique movies and television projects. What kind of work do you want to seek out in the future, and what sides of your personality do you want to explore?

Chris Marquette: That's a great question. I can't paint and I've never directed anything and I can't play an instrument. I can sing, but I don't like it. I can dance, but I don't like it. So, I think acting is my outlet, and it's where I naturally tend to kind of sway in my life. There's been a billion times where I've been like, "Well, what else could I do? Is there something else that's easier? Is there a business I can get into or something else I can learn?" And acting, there's nothing else like it in my life, honestly. And if I were to delve into any other part of my personality, it really depends on the time in your life. You go through some really difficult things in your life, and as an actor, if you're going through some really big struggles, you want to be somebody powerful, because you want to overcome those struggles, so you look for powerful characters. And then there's times where I'm relaxing and not much is going on and life kind of seems like it's a little stale, so I just want to relax and hang out and enjoy it as much as possible. And maybe that means doing a funny character or playing somebody funny, so you can go on set and make jokes and make yourself laugh and make other people laugh. So, I think in the future, I think it's the wild side and the wild man in me.

TONY: What's it like dealing with the celebrity aspect of Hollywood?

Chris Marquette: It's been good, it's been good. I don't participate in that world ... at least I haven't yet. I've always hated it. The events, the openings of some fashion designer, and those things in my life, I just am not interested in, naturally, so I don't go to them and I stay out of that limelight. But it's been alright. Every now and then, I go out to dinner with one of my parents, and somebody will walk up to the table, and it always surprises them and shocks them. If we're walking down the street or at the movie theater, somebody will go, "Oh, my god, dude, you're that guy." And my father always laughs hysterically, and, at the end of the day, can't believe it. He's kind of always like, "Does that freak you out?" And it's like, "Nah, at this point, it's really no big thing." So my family deals with it well, and it's all a chuckle. Anybody who knows me knows that .... at least I think that actors aren't really very special people. They can be, but, for the most part, they're just regular people.

TONY: I know you're close friends with Emile Hirsch, Paul Dano, and Ben Foster, so I have to ask you, what has it been like watching them grow over the past couple of years? All of them are having great success lately.

Chris Marquette: Oh, it's amazing. I mean, these people have been dear, dear friends of mine for so long and to see them bud and grow and catapult into where I knew they would always be, it's amazing. It always warms me to see my friends doing exactly what I know they're capable of doing. So it's nice. There's something really magical about even just knowing those people and seeing us go from these really romantic, idealistic young actors who look up to all the legends and are mimicking every thing we've watched and seen into watching these people find their own voice and their own style of character. They say that pretty much every young actor watches every Brando movie six times a day for six years and then tries to sort of put their own impersonation into their characters that they play, and then eventually that all stops and you kind of find your voice and you find what you do as an actor and what makes you the Marlon Brando of your generation or your own life. So all those guys, Emile and Paul and Ben, you watch their work and you see them from five years ago grow into the parts that they've done in the last couple of years, and each one of those guys has really sort of risen to the surface. You really see that they do things that nobody else can do except for themselves, and that I think is really magical.

TONY: Thank you so much for your time, Chris. It was great talking to you. Have a nice weekend.

Chris Marquette: Yeah, man. It was great talking to you too. You too, man.

#958 Re: Chris On Screen » Alpha Dog (STRONG LANGUAGE & ADULT CONTENT) » 11 Jun 08 :: 17:39

I saw a post on dvdtalk.com forum and  a site has the AD HD-DVD/DVD Combo on clearance for just $5.99.

01-0114722.jpg

http://www.inetvideo.com/Items/n01-0114 … DVD%20NEW)

Amazon.com is selling it for about $18, Overstock.com is selling it for around $31 & deepdiscount is selling it for around $12. Considering that the SRP is around $30, it's a good buy.

#959 Re: Chris On Screen » Alpha Dog (STRONG LANGUAGE & ADULT CONTENT) » 11 Jun 08 :: 17:23

I was looking for around a 26" widescreen HDTV which I found usually sells for about $600.

#960 Re: Square Eyes » Guess the film/tv series by screencap » 11 Jun 08 :: 17:19

OK, the film is an action film made during the time when the Statue of Liberty was being re-modeled (or whatever it's called). The Star Trek Connection is Kate Mulgrew.

#961 Re: Chris On Screen » Alpha Dog (STRONG LANGUAGE & ADULT CONTENT) » 11 Jun 08 :: 14:12

Remember how I noted I couldn't see much during the night scenes, well I found out why.

My TV is going out. I played AD on his tv and I could see everything during the night scenes including the windmills and the gun shot wounds.

It was dark last year, but now it's even darker. I tried to change the brightness level and other picture settings, but it's still too dark during dark scenes. So looks like I'll have to buy a new tv, but since it's getting close to the HDTV switchover, I'll just save and buy a new HDTV set.

Of course if the TV totally craps out on me, then I'll have to buy a used one to carry me over.

#963 Re: Off Topic Stuff » Randomness » 09 Jun 08 :: 19:55

7-13 are actually kind of beautiful in a way.


Here is some videos of the tornado damage we had southeast of here.
http://abclocal.go.com/wls/story?sectio … id=6192962

http://www.myfoxkc.com/myfox/pages/News … geId=3.1.1

#964 Re: Square Eyes » Which films from a year ago through now U have little interest in » 09 Jun 08 :: 16:02

I'll likely catch some of these on regular cable in the future.

#965 Square Eyes » Which films from a year ago through now U have little interest in » 09 Jun 08 :: 15:27

Illinoisguy1
Replies: 6

Which films from a year ago through recent/ near future do you have little to no interest in watching?

I used the IMDB "Playing Now" feature.

Try to keep it to releases from major studios and/or big releases.

Lucky You
28 Weeks Later
Georgia Rule
Hostel: Part II
1408
I Now Pronounce You Chuck & Larry    
No Reservations
Daddy Day Camp
Halloween
Balls of Fury
Mr. Woodcock    
The Game Plan
30 Days of Night    
Dan in Real Life
Saw IV
Martian Child    
Fred Claus
Mr. Magorium's Wonder Emporium
Juno
Walk Hard: The Dewey Cox Story    
P.S. I Love You
The Bucket List


2008
One Missed Call
The Eye
Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour
Welcome Home, Roscoe Jenkins
Fool's Gold
Definitely, Maybe
Step Up 2: The Streets    
Be Kind Rewind
The Other Boleyn Girl    
Semi-Pro
Drillbit Taylor
Leatherheads
Nim's Island    
Forgetting Sarah Marshall
Made of Honor
What Happens in Vegas...
Sex and the City
You Don't Mess with the Zohan
Kit Kittredge: An American Girl
Hancock    
Meet Dave
Step Brothers
Swing Vote
Pineapple Express
The Sisterhood of the Traveling Pants 2
Tropic Thunder


I haven't included Fall/Winter 2008 films.

Yeah I know some of these are good films, such as Juno. It's just that the subject matter of the films doesn't appeal to me.

#966 Re: Square Eyes » Transformers » 09 Jun 08 :: 14:45

I also own the theatrical & extended editions of all 3 LOTR films. The extras on each is different and those on the theatrical cut isn't carried over to the extended editions. So many people are likely to own both editions.


Dvdempire now has a listing for a Megatron transforming dvd case coming out this fall as well.

#967 Re: Off Topic Stuff » Randomness » 09 Jun 08 :: 14:05

My roommate is still in the hospital from the stroke almost a month ago. As far as I know he still has major trouble. Can't speak and still paralyzed on the right side.

I did find out that his hospital bill is at least $120,000. That's only for 2 weeks in the hospital. I could easily see the hospital bill being over $200,00 total.

He has insurance, but I think he has a 10% co-pay. Of course he's not working now and has no assets of any real value, so I don't know where they think he can pay that if they bill him for it.



I know that this has taught me to enjoy & cherish each day as if it's your last because something could happen the very next minute.

#968 Re: Off Topic Stuff » Randomness » 08 Jun 08 :: 01:37

News is reporting that the tornado was at the most 1/2 mile wide and is now near Richton Park.

#969 Re: Off Topic Stuff » Randomness » 08 Jun 08 :: 01:07

We have a Tornado Warning for my county right now. Luckily the tornado is many miles south near Monee & Crete.

The Weather Channel is also reporting that Milwaukee, Wisconsin got hit fairly hard as well.

#970 Re: Square Eyes » Fire rages at Universal Studios in L.A. » 07 Jun 08 :: 19:46

Looks like it may have been worse then we thought.

EXCLUSIVE: I've confirmed what I first heard on Monday: that Universal Classics has sent out an email to about 35 art house exhibitors and other film bookers of classic films alerting that the Universal Studios fire destroyed nearly 100% of archived 35mm prints kept in the so-called "video" vault on the lot. So, in the short term, Universal has canceled bookings of anything archival coming directly from Universal City and can't honor any film bookings of prints that were set to ship from there. Let me be clear: I am assured by insiders that the negatives are not affected, thankfully -- only the actual 35mm prints used for repertory circulation of classic films. Prints from that very rich vault which also includes pre-1950 Paramount include such classics as Frankenstein, Son of Frankenstein, Duck Soup, Hell's Angels, Brides of Dracula, Incredible Shrinking Man, Buck Privates, Hold That Ghost, and so many, many more. Some Industry types are emailing me that, with these prints gone, and the expense of making new prints, they fear that art houses and cultural organizations and film societies and festivals may never see these films theatrically again. But I'm told that Universal has already committed itself to making new prints. Of course, there will be delay and disappointment in the immediate future. But that's only a timing issue. I'm told it's possible that some of these prints may have duplicates in storage at other locations. So, over the next few weeks and months, Universal will be piecing together what extra prints, if any, it does have elsewhere. I still can't get a straight answer to all your questions about why the video vault wasn't fireproof. In part because the Uni people just sound completely frazzled still about the fire's aftermath. But Universal does have an extraordinary history as a leader in film preservation. Still, Hollywood must, repeat must, do everything to preserve its history. So everyone try harder, spend more, and just do it.

http://www.deadlinehollywooddaily.com/u … -affected/


MONDAY AM UPDATE: Universal Music just gave me a "clarification" on my report regarding UMG's vault and the Universal Studio fire on Sunday: "Thankfully, there was little lost from UMG's vault. A majority of what was formerly stored there was moved earlier this year to our other facilities. Of the small amount that was still there and waiting to be moved, it had already been digitized so the music will still be around for many years to come. And in addition to being digitized, physical back up copies of what was still left at that location were made and stored elsewhere. So thankfully, smart care, administration and preparation of these gems prevailed." So let me get this straight: first there's no report of irreplaceable damage at the Universal Studios vault, then I find out there's musical history destruction because of a rental agreement with Universal Music, and now execs it's only "a little" and not a problem. Funny, because my insiders insist it's a BIG problem. Universal Music claims that over the past year it had been moving master recordings of its "big name"  musical artists to the giant Iron Mountain, Pennsylvania vault -- the same one used by Bill Gates and Microsoft. What was left, Universal Music contends, was only "more obscure artists from the '40s and the early '50s." My final thought: the public may never know the truth.

SUNDAY: It looks like more was damaged or destroyed in today's Universal Studios fire than anyone previously thought. I've learned that Universal Music, which is a completely separate company and owned by Vivendi (which owns 20% of NBC Universal), rents space in the huge video vault housed on the studio lot. But one source tells me that, as a consequence, inside the video vault that was billowing thick black smoke were 1000's of original Decca, MCA, ABC recording masters from the last century including a wide range of music from Bing Crosby and the Andrew Sisters to Judy Garland and The Carpenters. "This is a tremendous loss in music history. A very sad day indeed. It's too bad they saved the videos that they have backups on instead of the master recordings in which they do not, although they may not have had a choice since the fire had already engulfed much of the music side of the vault," a source just told me. Universal Studios can't confirm what has been damaged or destroyed music-wise at this point because it doesn't yet know what exactly was housed in the storage rented to Universal Music.

http://www.deadlinehollywooddaily.com/u … c-history/

#972 Re: Square Eyes » Guess the film/tv series by screencap » 06 Jun 08 :: 22:27

The last one can be directly linked to Star Trek:Voyager.

#973 Re: Chris On Screen » Alpha Dog (STRONG LANGUAGE & ADULT CONTENT) » 06 Jun 08 :: 19:40

Can you believe Universal is releasing this new direct to dvd sequel with more extras than Alpha Dog ever had?


Universal Home Video has announced  The Scorpion King 2: Rise of a Warrior which stars Randy Couture, Michael Copon, and Karen David. This straight to DVD film will be available to own from the 19th August, and should retail at around $29.98. The film itself will be presented in 1.78:1 anamorphic widescreen, along with an English Dolby Digital 5.1 Surround track. Extras will include deleted scenes, a Making of The Scorpion King 2: Rise of a Warrior featurette, a Visual Effects of The Scorpion King 2: Rise of a Warrior featurette, 4 additional features (Fighting Like an Akkadian, Becoming Sargon, Beauty and Brawn, Creating a Whole New World), and a gag reel. A Blu-ray release will also be available for $39.98.


Why in the world do they put such good extras on such a thing? Whereas Alpha Dog basically was barebones. AD should at least have had deleted scenes, several featurettes and a gag reel would have been a hoot to see.


Stupid Universal.

Even though I kind of liked the first one, I have zero interest in this. Who in the world is Randy Couture?

#975 Re: Square Eyes » Guess the film/tv series by screencap » 06 Jun 08 :: 01:10

Not Ripley, bus stars Matt Damon in one of his earlier roles.

Board footer

Powered by FluxBB 1.5.11